Dog Day '92

The time on the cable box reads 9:37. That feels too early, I hate waking up when there's three numbers on the clock instead of four. What day is it? It's either Wednesday or Thursday. Even on vacation the weekdays all feel the same and I spend them looking forward to the weekend so I can get back to Ronny's house and keep working on A Link to the Past. The goal is to beat it by the end of summer and August is starting to give me the Sunday Night Blues. We've already rescued the Seven Sages and we have no idea how many levels are left, but between swimming in the pool and vacations in Maine and all the new Nickelodeon shows on Saturday nights, we might not get there before school starts. 

But now I'm up, and I go downstairs where Mom's in the parlor with Donahue on the TV and Teika on the couch next to her, but she's not really watching it, she's more into the TV Guide crossword at the moment so I can put on whatever I want. First place I go is channel 13 - Nickelodeon. David the Gnome is on. Man, I haven't watched this since Kindergarten, and I watched the hell out of it back then, but looking at it now it feels like such a baby show compared to Ren & Stimpy. I check WNDS because I know it's time for back-to-back Bewitched and I Dream of Jeannie, but it's a black & white Bewitched so I keep flipping. I go to channel 23, VH1, because there's always a good chance they're playing Queen stuff - especially since Wayne's World came out in February, and even more now that it just came out on tape. Sure enough, they're playing the Freddie Mercury Tribute Concert again. It's cool, but I'd rather see old music videos and documentaries with the whole band. But I leave this on while I eat my Apple Cinnamon Cheerios and wait for George Michael to sing "Somebody to Love". That's the best part. 

It's sunny out. It's hot but it's early so there's lots of shade from the trees. There's nothing really to do outside except maybe ride my bike to Bennett Store, which I've done twice already this week so I have to find a way to ask for more money. At this rate there's no way I'm gonna get the complete set of the Batman Returns cards, but I'm still gonna try to get a pack every chance I get. I also need to replace my pouch of Big League Chew that's all melted together. Really though, the main reason I wanna go to the store is to buy more Coke in glass bottles, which is not a secret to Mom. I'm sure I've already spent close to $10 this week just on those bottles, but you have to understand, I've waited my whole life for this - an entire 9½ years wishing I could drink soda out of those beautiful, old-fashioned bottles like they do in the movies. I've been filling my empties with Coke from the plastic 2 liter in the fridge but it's obviously not the same - the excitement of prying the bottle cap, the sweat dripping down the curves, even the taste is different. Mom gets it, kinda, and she's been very generous so far but she keeps reminding me that she's not gonna give money every day for this. But I ask anyways -- actually, I ask if I can go get a ham & cheese grinder, and those are $2.25, so if she has a five dollar bill she'll most likely let me have the whole thing. Also this way she doesn't have to make me lunch. She knows this, and so she gives me a ten(!), but wants five back. I have to make this count.

I decide to walk to the store. Every time I ride my bike I feel nervous about leaving it outside and so I feel rushed. I can't rush today, I have exactly $5 to spend and I need to figure out the math (but I'm sure a couple extra quarters will be ok). It's not quite noon yet, and it takes only three minutes to walk there (two if I cut through the trees behind Bennett School) but I'm already sweating by the time I get to the store. Even the giant wooden screen door doesn't let enough fresh air into the place to be comfortable. Thankfully I'm the only customer in this tiny space but it's still humid and smells like potato salad. I walk over to the the tall deli counter and ignore the pile of wrapped sandwiches behind the glass because mine has to be specially made. "Ham and cheese grinder with just mayo. That's it!" The lady knows this, but I know if I don't ask specifically then they will mess it up - I hate picking off tiny little strings of lettuce. While it's being made I go into the walk-in cooler to get what I really came for. I let the door close behind me and just spend some time letting the frosty air cool my sweat. It's like a neat clubhouse in here - dim lighting, surrounded by Apple Slice and Crystal Pepsi, protected by a giant door that looks like a bank vault. And just then the old guy who works here opens the door and sees me standing there. "Nice and cool in here, huh?!" He's not mad, but I grab my single 8 oz glass bottle of Coca-Cola and head back out into the store. This should leave me with $1.50 (I think). The reason my Big League Chew melted was probably because I got bored with it - I need something new. Fruit Stripe? Cinn-a-Burst? Bubble Tape is basically Big League Chew in a different shape so that's out. Bart's really got me into Butterfingers lately but I got a whole bag of fun size ones at home. Everything else here is dumb; bubblegum cigar, Tootsie Pop, plastic army men with plastic parachutes... oh man, the Batman Returns cards are sold out?! Who else in this neighborhood is buying these except for me? Obviously I don't want these Ninja Turtles III or Star Trek Next Generation packs, and I'm not alone because there's a million of them left. I can't waste this extra money but I'm not excited about any of this stuff -- except for the Coke... Right! I'll get another bottle! That way I don't have to figure out another excuse tomorrow to come back here. A second bottle makes good financial sense. 

I get back with my grinder, my two Cokes, and Mom's change. I explain my decision to her about the extra soda and she says "okay" in a "that's fine" kinda way. I feel so rich having two unopened bottles! I couldn't imagine what it's like having a whole six pack - I'd probably never open them and just display them somewhere so I could look at them all the time. But I have no problem opening these - half the fun is drinking out of them. I open one with the fridge magnet bottle opener and take my ham & cheese and get set up in the parlor and try to find something on TV - hopefully a movie. I check HBO... Mannequin 2: On the Move. I hate Mannequin 2 - why don't they play part one anymore? Next I go to Cinemax... Police Academy 5: Assignment Miami Beach - this one will definitely do. I don't know why I like watching it, none of the jokes are even funny and a lot of the acting is really annoying, but all the beach and pool stuff really feels like Summertime. I can't explain why that makes a difference to me but it does. I only watch enough to finish my sandwich and soda, and that gives me 30 minutes of Nintendo time before Mom watches All My Children at 1:00. It's not like I'm trying to beat something, I've been playing Gremlins 2 with the Game Genie and I've been using the "Infinite Lives" code and the "Don't Take Damage" code (though I guess I don't really need both). I haven't made it all the way through yet but knowing I can't die makes it feel like I've already beaten it. Still, I wanna see the Mohawk Spider Gremlin at the end. 

All My Children comes on. I haven't been into it as much since we found out it was Janet who murdered Will. All the other stories in the show just haven't been as cool. I still sorta half watch, but I'm paying more attention to finishing my Batman Returns comic book. Since I can't go back to the movies every day, I'm trying to draw the movie scenes on paper like a comic book. I've had to do it in two volumes because I couldn't staple that many pages together, but that gave me an excuse to make a whole second cover. But I'm almost done - I'm getting to the part where Batman drives the water skier through the sewer to get The Penguin, but first he has to put on all the pieces of his costume. 

I keep seeing commercials for a new Batman cartoon! It's weird to actually look forward to something in September, but this show kind of looks like the movies - they even use the Danny Elfman music (I hope they actually use it in the show and not just the commercials). But now All My Children is over and the TV is mine again. I flip around a bit and I find more Bewitched but I'm not in the mood - that's more of a morning show. Heathcliff is on Nickelodeon but I'm so tired of it, I think I've seen every episode twice. I go to Prevue Guide on channel 41, just to make it easier, but I also like watching it - mostly for the movie previews they play all day. Looks like there's mostly nothing on right now, but I'm still waiting for the scroll to get to channel 45 to see if anything good will be on HBO in the next hour... Yes! Naked Gun 2½ is on at 2:35! I guess I could watch Heathcliff till then but I'm having a much better time watching commercials for Soapdish and Robin Hood: Prince of Thieves over and over again. 

3:00 rolls around. This is about the time I'd usually be getting home from school so out of habit I have to check the other channels just to see if something better is on. The Disney Afternoon just started on channel 38 which means DuckTales just started, and it's a really good one: it's the one where Gyro invents a kinda stopwatch that freezes time and then the Beagle Boys steal it and use it to take all the money out of Scrooge's money bin. Honestly if I had an invention like that I'd probably steal stuff too - all the tapes from Strawberries, all the action figures from Toy Works, and all the baseball cards from Hall of Fame. Well, maybe not all - just enough so that nobody gets in trouble. I stop daydreaming and suddenly it's 3:30 and Chip 'n Dale is starting. I stay for the theme song because it's awesome, but I flip around before the show starts because it's boring and I find Merrie Melodies on channel 39. It's one of those old musical ones with characters I don't even know. So I check Nickelodeon and it's Looney Tunes -- I never knew what the difference was between this and Merrie Melodies. But today Looney Tunes is a Coyote and Roadrunner episode so I stick with it. 

By 4 I've completely forgotten about Naked Gun and now I make my daily choice between Tiny Toons on channel 39 and Beetlejuice on 25. I go to Tiny Toons first because I've been watching that pretty much every day. I end up staying there, sitting through every Creepy Crawler and Super Soaker commercial until Ninja Turtles starts at 4:30. It's the one where Irma turns into a giant. I like Irma but she's so annoying in this episode. Whatever, it's the only good thing on right now and Dad will be home soon so I only have the TV for a little bit longer. Usually I'd get to watch the Mario Super Show at 5 and Saved by the Bell at 5:30 because Oprah was on channel 5 for that whole hour and nobody watches that, but now both parents keep checking all the other news channels for "election updates". Voting is still like three months away, I don't get why we have to watch stuff about it now. 

Dad has coffee and writes in his journal, which means I get to finish Mario and start watching Saved by the Bell - it's one of the ones where they all work at the Malibu Sands Beach Resort. These episodes are weird, I miss Mr. Belding. It's 20 minutes till supper and I ask Dad if we can go hit the ball down at Bennett Field. We've been doing that a lot this summer, ever since A League of Their Own came out last month. He says there's not enough time but we can play catch in the backyard "for a few". The sun's already going going down earlier than it was a few weeks ago, but it's still hot, and bright enough to see the ball through the shadows of the trees. In case for some reason I can't sleep over Ronny's this weekend I ask if maybe we can go to the movies on Saturday. There's nothing really exciting coming out but if we do end up going we agree that Stay Tuned looks kinda funny. 

We come in and Dad watches about 5 minutes of Peter Jennings before the rigatoni is on the dining room table. Teika sits at my feet during supper, quietly and patiently waiting for any kind of food. I know not to give him garlic bread because that turns into a night of stinky farts, so I slip him buttered pasta. I try to be quiet about it but he chews so friggin' loud that we can't keep it a secret. No one's mad, Mom's just pretend mad. The same way I'm pretend mad that she didn't make any brownies. Or that I have to take a bath - which I guess is ok, I can't even remember what day I took my last one. So after supper I take the world's fastest bath and only miss the first 10 minutes of the first episode of Married... With Children, but I get to see all of the second episode at 7:30 which is great because it's the two-parter where they go to the gold mine and I like the second part more. And then Married... With Children goes right into The Simpsons at 8. It's the softball episode which is cool because it has all my favorite baseball players, but I'm tired of repeats all summer long and I have to wait more than a month for the new Simpsons season to start. 

Mom's still in the dining room doing bills at 8:30 when Superman comes on Nick at Nite. This show makes me laugh, it's so stupid. It's weird people used to think it was cool when it was new (but I don't think Superman's cool anyway). By 9 Mom's on the couch and it's time for Get Smart. It's like the opposite of Superman - it's cool that old shows could be this funny on purpose. The same goes for Dick Van Dyke which is on at 9:30. I'd say it's definitely my favorite right now - it's the one where Rob and Laura are at a hotel and Laura gets her foot stuck in the bathtub and Rob draws a mustache on his face in permanent marker. I guess the only bad thing about Dick Van Dyke is that when it's over that means it's time for bed. Although bedtime actually means two episodes of All in the Family on WNDS. After Al Kaprielian's weather report, the first episode is when Archie accidentally gives George a fake $20 bill. I never knew that some money could actually be fake - I'm gonna start reading every word on every bill I see from now on. 

The second one is when Mike is about to graduate from college and then doesn't. I wouldn't say I'm wicked tired but I am sorta closing my eyes during the commercials and even a little bit during the show - I'm starting to hear the laugh track more than the jokes. At 11 I check VH1 once more for Queen stuff, but it's Standup Spotlight instead. The volume's too low to hear what the comedian is saying, or maybe it's because I missed the beginning of the joke, but I can't understand anything that's going on. Maybe I actually am tired. I guess I should start trying to fall asleep earlier, I'm gonna have to start getting up early again in a couple weeks. I really hope Fourth Grade is way better than Third, but more than that I'll miss getting up late. I'll miss going to the store any time I want. I'll miss playing hours of Tetris and Mario 3 before lunch. I'll miss being with Mom. And I'll definitely miss a lotta TV shows. 

- Paul

17 MORE Unsung Sidekicks

Several years ago I compiled a list of 17 supporting players in the circus that is Pop Culture - exclusively the ones that remained in the shadow of the hero or villain they supported. They rarely appeared on a t-shirt or poster of their own and if they were lucky enough to get an action figure it was destined to collect the most dust. Today I bring you the oddly-numbered 17 more - not because I can, but because I should. 

- Paul

Hollywood

Mannequin

If this list were 100 names long and ranked, Hollywood Montrose would be Number One. On its own it's a sweet, funny, and ridiculous movie, and Hollywood is the sweetest, funniest, and more ridiculous part of it. But more than that, his undying loyalty to our lead heroes is nearly unmatched in any other work of fiction. 

Steve Gomez

Breaking Bad

You can count the entirely uncorrupted characters on this show on one hand, and Gomie is pretty close to the top. He may not have been as merciless or vigilant as his partner in crimefighting, but when his help was needed he gave absolutely everything.

Guy LeDouche

MXC

I can't say entirely "unsung" - there isn't a fan of this show that wouldn't sing his praises. And like everything else in MXC: I don't wanna know his real name or the name of whoever dubs his voice, I just want this world to be real and exist as is. 

Geoff Peterson

The Late Late Show with Craig Ferguson

I only watched a bit of it when it initially aired, but I've sacrificed many hours of sleep to the YouTube reruns of who I consider to possibly be the best late night talk show host and his gay robot skeleton crony. Thankfully that dynamic was not the one-note joke it could've been - the rapport between the two (and the guests) was always so casual and spontaneous that the gimmick almost became unnoticeable. 

Trigger

Like Father, Like Son

You could probably guess someone's age by what they know Sean Astin best from, and that's because he has a resume of iconic roles. Even as a sidekick this probably wouldn't make anyone's list, but it's Trigger's innocent meddling that sets the entire plot in motion (which, in the end, brings our two leads closer together). 

Nicky

Easy Money

Within the scope of the story, Nicky is the devil on the shoulder, presenting Monty (Rodney Dangerfield) with more obstacles than he would've otherwise endured. However, while his intentions were always selfish he was fundamentally right, and he's eventually validated for his help (or lack thereof). 

Tony

Cobra

Lieutenant Cobretti may be the cure for crime but Sgt. Tony Gonzalez is the only one who's willing to help administer that medicine - a job that requires him to go to the same extremes as his partner, but also keeping him grounded by calling him "Marion" in front of his would-be girlfriend. 

Mumbles

Dick Tracy

The fact that he folds under the heat so easily may not place him high on a scale of allegiance, but to the good guys he's a pretty reliable source for incredibly quick and concise exposition. 

Jet Girl

Tank Girl

I didn't know Naomi Watts before this 1995 movie, which was probably the same for a lotta people. And like a lotta people I definitely remembered her afterwards; while Lori Petty's lead was the stuff of teenage fantasy, the shy and bespectacled Jet Girl was the hidden gem in this desert dystopia. 

Dr. Wright

SimCity

I'm making up my own rules here: in this 1991 Super Nintendo version of the game that allows you to build your own cities, the only real characters are you the player (or "Mayor"), and Dr. Wright your financial advisor and sorta moral support cheerleader. So, he's your sidekick; there's probably only like 3 people who know what I'm talking about here but I'm sure they'd back me up. 

Sam

Clarissa Explains it All

All the girls wanted him and all the boys wanted to be him. I certainly know I did - I would've loved to have any kinda friend at that age, but one as smart and cool as Clarissa? That's clearly the stuff of fiction - courtesy of Nickelodeon Studios. 

Porky Pig

Duck Dodgers in the 24 1/2th Century

He's only ever referred to as the "Eager Young Space Cadet" but I think we all know it's Porky. And such is the case as when anyone is paired with Daffy that they come out ahead as the smarter one, but also the calmer one; despite retaining his trademark stutter, Porky glides through this 1953 short with more coolness than even Bugs could. 

Itzhak Stern

Schindler's List

I suppose we could also credit the actual historical figure -- in either case, there's no subtlety in the fact that Oskar was about the "presentation" but it was Stern who really did a lot of "the work", and Ben Kingsley plays him with a sort of meek humility that makes us feel like he's the real hero of the story.

Renfield

Dracula

He's clearly gotten a lot more press in recent years, but separate from spinoffs and origins I've always found him to be one of the most tragic characters of Fiction - a sane man fighting for his soul. Though as much as I hated Dead and Loving It I'll still defend Peter MacNicol as one of the best to do it. 

Pagoda

The Royal Tenenbaums

Sometimes a sidekick doesn't really have much to offer other than the basic company of another human being - especially when no one else can stand you. Also we all need someone to give us a good stabbing now and then as a wakeup call. 

Jay

Bachelor Party

His intentions were always noble. Or maybe they weren't, who cares - he only ever told groom-to-be Rick (Tom Hanks) what he wanted to hear, and who doesn't want that? More than anything he was this architect of this social gathering that, for the most part, ended up being a success.

Cora

Cookie's Fortune

There aren't too many great things about this lite Robert Altman comedy, but the best thing in it (and maybe her career) is Julianne Moore as the dimwitted, bumbling Cora (yes, Julianne bumbles). Technically a sister to Glenn Close's Camille, she's given the nearly-impossible task of going along with a fabricated story involving the supposed murder of her aunt. She clearly doesn't have the mental capacity to keep big secrets but her efforts are commendable - and hilarious. 

1988: It was just too late to know

Childhood ends at different times in different ways for different people: tragedy, responsibility, sexuality, whatever shatters the safety and innocence of which we're rightly entitled during those first years. For me, it was the invasive yet subtle introduction of school - namely Kindergarten. It slipped in like a virus, asymptomatic at first but soon the effects began to take hold. Not that there was anything particularly bad or upsetting in chocolate milk and finger painting, but the realization slowly started to set in: I'm missing all my shows!

In a larger more fatalistic scope, I'd just entered into a steel cage of doom that would detain me until retirement or, more likely, death; daytime television had become a symbol of illness, Summer, or unemployment, and no one alerted me to this new reality prior to my blind compliance. Before September of '88 my schedule was largely dictated by Cable and it was a more engaging and informative classroom than I would ever encounter. The afternoon block of programming titled Nick Jr. debuted at the beginning of the year, mostly comprised of Asian and European cartoons like David the Gnome, Adventures of Little Koala, and Mysterious Cities of Gold. Added to their regularly scheduled lineup of stuff like Count Duckula and Mr. Wizard and it was a fully educational day covering all the major subjects. There were children's shows all over the dial like Jem and Zoobilee Zoo that I'd watch casually, but the bulk of them were of an already bygone era: Flintstones, Popeye, Mighty Mouse, Looney Tunes - even then these things were 20, 30, 40, 50 years old, and as I sit here now they're still around and popular and considered all part of a gold standard. 

Same thing with grownup shows; I spent some time with syndicated Scrabble and Win, Lose or Draw as well as Soap Operas like All My Children and One Life to Live. But again, this was the midday dumping ground for "Classic TV" like Bewitched, I Dream of Jeannie, The Monkees, Hazel, and every other pre-1970 Primetime program that limped its way into local broadcasting - not to die, mind you, but to become immortalized through me which strengthened me. Kindergarten extinguished this flame without mercy, and I became both stronger and dumber for it. I still had years ahead of me filled with baseball, bike riding, and Batman, but leisure time was now a luxury to be worked into my structured schedule. 

God bless the advent of Nick at Nite to keep me caught up in the continuing adventures of Ozzie, Harriet, et al. Though 1988 wasn't just about old TV for me. I'd received a bounty of ghost bustin' gadgets at the end of '87 so I'm sure I spent some amount of time neutronizing Sumerian gods while trying not to look directly into the trap. A life of adventure -- so much so that I began the year by cracking my skull open on the corner of an industrial dumpster in a sledding accident (a threat they didn't warn me of in the Juicy Fruit commercials). But that's part of the bigger idea: I played. I galavanted and cavorted. I shot lasers and slew vampires and stuck stickers and ate fluffernutters; my time of freedom leading up to my life sentence was not wasted, and was dedicated mainly (but not exclusively) to Dick Van Dyke, California Raisins, and severe head trauma. That's time well spent. 

I attended one theater visit, Roger Rabbit, the only real new movie I saw that year. But looking back now at what was in theaters back then, yippee ki-yay, motherfuckers! A few Box Office Blockbusters, but an otherwise bonafide bonanza of Cult cuisine and 80s pinnacles, all amounting to a cavalcade of choices so overwhelming that I had to scale back to present a nice round list number. The twit in me would describe the output as "colorful and inventive" but really the word for this year is "wacky."

Something like 20 sequels came out, and aside from a few clunkers (Caddyshack II, Arthur 2) they were mostly great (and mostly horror). Other than that, big splashy originals and fresh genre efforts are what 1988 was about, and ultimately became a lot of the defining pictures of not just my life, but also of Film History and Popular Culture as a whole. 

My son starts Kindergarten in September of this year but he's already been doing the Preschool thing for a while. Recently my sister asked him what he thought of it, and his response was "School is nonsense. I wanna be home with my family." Who's to blame for this defiant attitude that's clearly expanding and intensifying with each new generation? The declining quality of the classroom environment? A rigid framework forced into fragile developmental stages too early on? Or is it Dobie Gillis? Time will tell. 

- Paul

1. Midnight Run

I feel like I publish praise for this flick every few months. And why the fuck not? There may be a little nostalgia mixed into my adoration for this, the greatest Action Comedy of all time, but that doesn't minimize its greatness of all timeness. Everything about it feels so simple, yet it continuously unfolds and surprises in its story, its humor, its excitement, and even its drama.

2. Beetlejuice

Also not much left to be said about this extremely popular movie. I remember seeing the TV spots and thinking "this is definitely for me," but ironically could never remember the title. It wasn't until it made its way to Cinemax and I thought "this is it! This is that movie!" I was turned on by how bizarre it looked, and it's one of the few times I can remember a film surpassing the abstractions of its trailer; it was even more absurd than what they sold. 

3. Vibes

A small budget Romantic Comedy Adventure somewhere between Raiders and Romancing the Stone seems to be the perfect speed for me. But I'm intellectualizing - Jeff, Cyndi, and Peter Falk are like three of the most likable and watchable screen actors anyways so I defy anyone to not be entirely enchanted by this. 

4. Die Hard

It took me years to recognize that it didn't reinvent the Action Movie, but satirized it in such a bombastic way that it works as both a Comedy and a straightforward thrill ride. And a Christmas movie. 

5. A Nightmare on Elm Street 4: The Dream Master

If it had to have humor, if it had to have action, if it had to be rushed into production to meet the demand of this rapidly growing pop icon, then this truly was the best we could possibly get. Again, even more than Freddy's Dead, this is the parody of the fun and the dumbness of Elm Street and should be championed as such. 

6. A Fish Called Wanda

Leave it to a couple of Pythons to make the British Crime genre so silly. Though at the same time, it's refreshingly buttoned-down and accessible - both in its plot and its humor. Added to that, Jamie Lee and Kevin Kline are notable dramatic actors, and they carry the movie as the comic relief. 

7. Crocodile Dundee II

The first was a neatly packaged first act, and the only reason it required a sequel was because we wanted more. This installment is all about Mick's macho charisma and magic tricks that were the highlights of Part One, stretched out into the poignant 80s premise of taking down some Columbian drug lords. We didn't know we needed it until we got it. 

8. Flesheater

One of my most sacred "Halloween Season Mandatory Viewing" movies, primarily because of its weather accuracy. Seasonal setting aside, the cast has more depth than nearly any other 80s Slasher movie, and the culmination of score, gore, and suspense is on par with the best of Fulci. 

9. The Last Temptation of Christ

I consider this the dawn of Marty's most inventive era as a visual artist. It's one of the earliest examples I can think of where the subject matter of the movie was less of a draw than its actual moving parts; a true filmmaking achievement to capture my interest almost entirely through photographic storytelling. 

10. Big

The effect this movie has is still as relevant and unique as it was then. It's a hard kids' movie with a zany premise but it doesn't shy away from the terrifying reality it creates; adulthood is scary, but a supernatural overnight transformation that alienates you from your safe childhood is some fearless fiction.

11. Ghosthouse

One of the last great Italian Horror flicks of the decade (and Umberto Lenzi's career) mixes 80s Slasher tropes with a malevolent ghost, resulting in a bonkers, directionless plot that's most concerned with surreal imagery and gruesome kills set to a creepy score. Part of a dying breed. 

12. Who Framed Roger Rabbit

There seems to be a recurring formula around this time: fantastical ideas that capture the imagination, saturated in adult themes - violence, sexuality, fear, sadness. In other words a well-rounded movie that's not confined to the boundaries of genre or a target audience. I'm grateful to have been a kid when this came out. 

13. The Naked Gun: From the Files of Police Squad!

To think the TV show on which this was based was cancelled for being too subtle. Admittedly I'm a fan of the subtleties of slapstick, sight gags, wordplay, fart sounds, and concrete dildos. 

14. The Blob

Glad we're all finally in agreeance that this is one of the best remakes of any film genre -- which is a backhanded way of saying it's just a great movie. Considering it's an FX heavy SciFi flick with a literal faceless blob as the villain, it's pretty remarkable how much suspense and good dialogue comes out of it. 

15. They Live

I caught it for the first time ever on Cable, right at the beginning of the fight scene, and soon thought "...is this it? Is this the whole movie?" And that forever set the tone for me - and rightly so, because it's the correct tone: a comedic satire played entirely straight. Strangelove for the 1980s? You'd better believe it, brother. 

16. Imagine: John Lennon

Extremely telling and also guarded and superficial - like the man himself. A complex life and soul in under 2 hours is gonna have some hiccups, but the depiction of his murder and the news footage sequence of grieving fans is a powerful ending to any kind of movie. 

17. License to Drive

Not a lotta Teen Comedy options this year, but this Ferris Bueller-meets-After Hours hybrid kinda transcends its subgenre, resulting in just a straightforward Comedy with shades of realism (who wouldn't risk their lives for a date with Heather Graham?).

18. Friday the 13th Part VII: The New Blood

My favorite of the franchise as it's the first time I found Jason to be cool. Ironically this is the first to feel most like an Elm Street movie which is probably also why I respond to it favorably. 

19. Daffy Duck's Quackbusters

During the periods it wasn't perpetually on HBO, it was my consolation video rental; when nothing else seemed good, I'd get this. And understandably so, it's practically a Looney Tunes Greatest Hits without commercial interruption - a true content binge before it became a way of life. 

20. Pulse

To this day I don't fully trust any of the machinery in my home, and it's not because of Poltergeist or 2001 or any of those - it's because of this. That's an effective Horror movie no doubt, but even without the carnage (but especially with it) it's yet another great kids' movie to come out of this year. 

21. Elvira: Mistress of the Dark

I'm always fascinated when a one-dimensional character suddenly finds themselves dealing with conflict and having emotions. (It worked for Pee-wee, didn't work for the Mario Bros.) To see her get off the couch and go on an adventure and sass the locals and dance naked in a Vegas musical is so much more than we deserved. 

22. Ernest Saves Christmas 

The fact that it features very little Ernest is solid proof that his longtime production crew knew how to craft a good movie without the bumbling hillbilly antics. Good for them, but even still, in his limited screentime Jim goes full force, busting out several of his "characters" and securing him amongst the ranks of Peter Sellers and Eddie Murphy. 

23. Critters 2: The Main Course

Also my favorite of this particular series, and I've gotten the most use out of it as an Easter movie (which also helped Last Temptation). B-side holidays aside, of all the Gremlins ripoffs over the years, this is the one that captures the excitement, humor, and inventiveness of its supposed source material. 

24. Dead Heat

Horror Comedy can be some pretty bad medicine. And to be fair, the clever and bizarre Horror outweighs the tepid and uncomfortable Comedy just enough to give it a sharp enough edge to become (wait for it) a great Action movie. 

25. Above the Law

I've seen it 40 times, I still don't know what the hell it's about. Don't care, it's still a sleek Crime Thriller from Andrew Davis (Fugitive, Under Siege) that introduced us to the whole Seagal genre (complete with the usual topnotch who's-who of supporting roles). 

26. Hellbound: Hellraiser II

As good as the first, which is my brand of highest praise here. The most honest and logical sequel since Godfather II - even with a new director; it answered questions, raised new mysteries, and actually managed to create even more grotesque sights to show us. 

27. Scrooged

I was initially bummed on it because it just wasn't funny enough. I still am a little. But it makes up for it in mood; it really does have a somber creepiness to it that is so accurately Dickensian, it works as Horror. And Bill's frantic monologue at the end is clearly Oscar worthy. 

28. Talk Radio

When Oliver Stone aims small he misses small. The fascination with the "shock jock" bled into so much Film and TV (and stage) that it just felt like a hallmark of Fiction. But this one has no chance of humor or redemption, it just spirals into darkness until it's pitch black. 

29. Police Academy 5: Assignment Miami Beach

After 4 films I finally stumbled upon one that worked for me. And why does it suddenly work? Because it's broader and bolder and dumber than all its predecessors; this is when they stopped trying to be real movies in any traditional sense and just let the mayhem ensue. 

30. Not of This Earth

When I hear words and phrases like Drive-In, Exploitation, Roger Corman, Creature Feature, I imagine a specific kind of imagery, and all of it appears in this film. It's almost as if New Concorde and Jim Wynorski were entirely self aware and knew exactly how to make a great movie. 

Tyson Looney Tunes Meals

Here's a serving of microwavable nostalgia that no one ever seems to care or talk about. Or maybe they do and I've missed it. But right now we're here, and I'm getting hungry.

The year was 1990: Mel Blanc had just died, Tiny Toon Adventures debuted on television, and Bugs Bunny had just turned 50. There was adequate hoopla around these events, but nothing as monumental as these: Tyson Looney Tunes Meals - frozen TV dinners with box art featuring all the prominent (and some supporting) players from the original Warner Bros. animated shorts. This was still pre-Space Jam era so there was still a purity in the imagery and the characters. Though surprisingly, the biggest draw for me was the actual food contained within. 

It was weird and exciting to me even then to see cartoon characters shilling something other than candy or beverages. As an experience, this was like "make your own Happy Meal," complete with ornamental packaging and hot trash disguised as cuisine. (Not to mention some kinda paper prize slipped inside, encased in a freezer-burnt plastic wrapper.)

Sure, you could choose them based on your favorite character, but first and foremost you had to consider what supper was gonna be. 

No I didn't try them all - there are some pathways to the dark side that I consider to be unnatural: namely artificial tomato sauce, which took Daffy right off the list, but was manageable in the Coyote's hamburger pizza. I'm also not thrilled on any microwaved mac & cheese, so I passed hard on Bugs and Tweety, and Speedy's beef enchiladas were way too far out for me - probably still are. But it's a good time to point out how cute and clever they were to sorta match each character with an appropriate main course. 

Obviously a cat gets a fish-related meal, and Yosemite Sam gets barbecue sauce (which was one of the best assortments on this list). Though my favorite - the Road Runner chicken sandwich - was questionable in its correlation; were we to imagine that the fowl served to us was actually the Road Runner? If that were the case, wouldn't it be better suited to Wile E. Coyote? It might seem like a superficial observation, but in actuality it's a conundrum that's plagued me since I was 7 years old. 

They stopped making these in '93, at which point I graduated to the more mature Swanson TV Dinners. But for a time, these were it; I never bothered with the Kid Cuisine crap because it felt like a cheap knockoff of the real thing. If they'd held out 5 more minutes they would've totally benefited from the mysterious rise in popularity of Marvin the Martian; maybe a saucer-shaped steak-like foodstuff, or some "Out of This World Franks 'n' Beans." Point is the Tunes never go outta style, but they hit some weird stride in the 1990s that was almost-unfairly valuable to my generation and I'm entirely grateful. 

- Paul