As a rule, I try to stay away from compiling lists of stuff I
don't like - it literally takes the fun out of the activity itself (and it's just bad for the soul). But, if we can find something that we can all hate on
together, then it should create a nice sense of "community". Having said that, I'm banking on the prospect that all y'alls loathe these campy anthems as much as I.
By the late 1980s there was obviously nothing new about the idea of the "Theme Song". From Dr. Zhivago to Love Story to Shaft to Footloose, a song that was literally about the subject matter could sometimes blend into that very subject matter - occasionally with a quiet dignity ("Moon River") or sometimes entirely absent of dignity ("Ghostbusters"). And then, at some point, I get the sense that Studio Executives in suits finally said, "The kids don't like Burt Bacharach anymore, they like The Rap Music!" I have no proof that this declaration was actually made but I can totally see something like this printed as a memo on Warner Bros. stationery.
I'm not here today to talk about Do the Right Thing or Deep Cover or even Ghostbusters II (y'know it) but about the times when a rap song managed to minimize or even ruin the content, the reputations of the performers, and even the genre itself.
Go ninja.
- Paul
"City of Crime" Tom Hanks & Dan Aykroyd
Dragnet
It's weird that it didn't seem entirely dumb at the time -- that's possibly because the movie is equally dumb. Almost unbearably so. I love the 80s Tom Hanks Comedy Era but there were some major duds, and it's a miracle and a blessing that this movie got shackled with the rap song when it could have just as easily been The Money Pit or The 'Burbs.
Sample lyrics:
It's a new sensation
We go down to the station
You're going to answer some questions
And have some refreshments
"Ace is in The House" Tone Lōc
Ace Ventura: Pet Detective
One of those scenarios where it was like, "We already got Tone here, let's have him do a song." Technically this should've been a lot better, like maybe even a memorable hit, but to put it plainly: the song is just awful. Surprisingly, some (very sparse) interjections from Ace himself just makes the whole thing worse. Don't worry, ma'am, I'll find your pussy... CAT that is! There's no way Jim ad libbed that, it's beneath even this film.
Sample lyrics:
If Ace is in the house, so must be Lōc
Blowin' up like a cloud of smoke
Checkin' all of his bitches at home
But I'm the dog with the biggest bone (woof)
"Maniac Cop Rap" Yeshwua Barnes & Brian B. Dub Wood
Maniac Cop 2
I was never a Maniac Cop fan. I find it equal parts dull and silly with a lotta squandered potential. Maniac Cop 2, on the other hand, utilizes that potential nearly to its fullest, making it as dark and mean as it should've been... And then we end with the rap song. To be fair (and probably perpetuating stereotypes) the "urban" landscape of the movie does lend itself to "street music" in the most pedantic way, but having the storybook version of a zombie policeman's antics sung to us does a disservice to both extremes.
Sample lyrics:
He's homicidal and maladjusted
But when he busts in, your ass is busted
"Are You Ready For Freddy" The Fat Boys
A Nightmare on Elm Street 4: The Dream Master
I generally like all things Freddy, no matter how zany and far removed from the "child murderer" angle we get. I'm cool with the Dokken song, and I adore the Freddy's Greatest Hits album that has Robert England singing "Wooly Bully". I even like the Fresh Prince "Nightmare on My Street" song - because it has the right tone. Dream Master might be one of the more colorful entires, but this otherwise flawless soundtrack is marred by this tomfoolery that would feel even too dumb in Freddy's Dead.
Sample lyric:
With a hat like a vagabond, standing like a flasher
It's Mr. Big Time, Freddy Krueger, dream crasher
"Ninja Rap" Vanilla Ice
Teenage Mutant Ninja Turtles II: The Secret of the Ooze
I don't hate the song. I don't hate the lyrics. Hell, I don't really hate Vanilla Ice. I mostly just hate that it played such a precious part in the movie. This whole film teeters on the edge of obnoxiousness, and it's at this climactic moment that it slips and falls right in it, and then the Turtles would forever be synonymous with the incredibly brief era when we all fell for one Rob Van Winkle. (As if the Turtles weren't already dated enough on their own.)
Sample lyrics:
Rockin' the crowd the way it should be rocked
With the Miami drop that you like a lot
You know it's hittin' like a Ninja Turtle
When the bass kicks in you better check your level
"The Crypt Jam" The Crypt Keeper
Tales From the Crypt
It wasn't actually on the show, but it did appear on its soundtrack in 1992 - though I can't imagine why. Here's the thing: the accompanying music video is a wondrous spectacle of puppetry and lighting and booty dancers, all with the goriest scenes from the series cut in here and there. As a song, without visual aid, it's 3+ minutes of John Kassir's punny giggling set to a really irritating hook -- it feels like an hour. (There are actually remixes that stretch it out even longer.) Whenever this comes up on my Halloween playlist, I'm inclined to 'skip'.
Sample lyrics:
The Crypt Keeper's in the house with a groove that's nasty and mean
Like the effects of a guillotine
"Conehead Love" Dan Aykroyd, Jane Curtain, Nan Schaefer
Coneheads
Danny Aykroyd at it again, bustin' rhymes with another monotone in-character delivery. I think we've all finally arrived at the simple truth that this is a fine film, but I feel like it's stuff like this that might've had us on the fence for a few years (or decades). Despite having its own wildly over-the-top music video, I feel like the song was pushed to the bottom of the end credits as a way of saying "Listen to this or don't, it really isn't a part this movie."
Sample lyrics:
I'll never understand this planet
The way these humans love to ram it
I much prefer the senso-rings
And all the timeless joy they bring
"Addams Family (Whoomp!)" Tag Team
Addams Family Values
At best, I can forgive the "Addams Groove" from the first film - MC Hammer was inescapable at the moment anyways, and besides, I think the whole thing was meant to be satirical (or it felt that way at least). But in this case? Unless it was included to literally poke fun at the first movie's use of a rap song, this is a travesty that, it my mind, scars the whole film; for me, they're (sadly) inseparable. If these movies absolutely needed to have an original song (they didn't) then I would've rolled the dice on maybe some Horror Punk band to assume the role. If they were going for irony, it definitely didn't land twice.
Sample lyrics:
Whoomp! Family, whoa
Whoomp! Family, whoa
Whoomp! Family, whoa
The Addams Family