5.21.2026

The Passions of Elvis

A few weeks back, Elvis (my son) asked me where "my favorite place to go" was (because only a 7 year old deals in absolutes). I had difficulty landing on an honest answer, mostly because there really aren't many manmade places to go anymore, and the ones that are left have been sanitized or gentrified or castrated in some manner. But he answered for me and said it's "probably Horror Conventions", and he was probably right - they're the closest thing left to a toy store/mall/flea market on my own radar of interests (and I tragically haven't been to one in years). I took the bait and asked him where his favorite place to go was, and he had two (of which he made me guess). To reiterate, it certainly wasn't Toys R Us or Kay-Bee, so I gave the easy (and correct) answer of "the playground". The second place came as a bit of a surprise, though didn't take many guesses (because, again, it's a short list) - I thought of the most recent establishments we'd been to that had anything exciting to offer, which at that point was "The Movies". 


We'd seen The Super Mario Galaxy Movie probably less that ten days prior so it was still fresh on his mind -- and by "fresh on his mind" I mean the only possible topic of conversation that he was able to offer, and if someone wasn't able to adequately reciprocate, he'd simply monologue his thoughts and feelings. Actually, that pattern of discourse hasn't really let up since then (or since he could speak really) but the subject matter can veer off into other areas intrigue, like Five Nights at Freddy's, SpongeBob Squarepants, Minecraft, and also non Pop Culture items like Astronomy, Geology, and Meteorology. And when he's run out of things to say and facts to share, he'll write Short Story Fiction, broken into chapters, incorporating elements from all these properties into a decidedly-fashionable multiverse of characters and themes. 


I understand this level of mania only too well - waking up in the morning as my dreams transition into thoughts of specific video games or cartoon characters or toys or other acts of play, and those things dominating my train of thought as the serious matters that they are. (Summers were best, when there was no other business to distract me from this very important work.) To witness someone (especially of my own heritage) experience and harness and profess this casual joy of living is endlessly wonderful and fun, and sometimes generates a brief whiff of jealousy. See, I haven't fallen into a profound obsession over any form of Art or Entertainment in a long time - probably over 20 years / since early adulthood. Does the weight of the world simply make it too difficult to lose ourselves in the music anymore? Or did I reach a certain age where I'd simply already discovered every single thing that could possibly interest me? Frankly I refuse to believe that either of those are true - mostly because I'm constantly reminded of how wonderful it can be to be in that frame of mind, and I need to believe I can get back there. 

Maybe this is just the dilemma of Millennial Nostalgia - we can't get into anything new because there isn't anything new; I don't need to discover Batman or Ghostbusters or Super Mario or Jurassic Park because I did that already during an entirely different cultural era. But that's partly why having a child during this current period of time is only that much more fantastical: I can expose him to something like STAR WARS or Indiana Jones or Alien, and there's nothing outdated about any of it because we can turn on the TV or go "The Movies" and pick up right where the story left off. 


It's important to note that not only have I not pushed any of my interests on him, but there's also a clear division in the properties that we follow. As I sit beside him in the theater as we watch The SpongeBob Movie: The Search For Squarepants or Five Nights at Freddy's 2, I'm reminded of sitting next to my own father as I subjected him to the likes of 3 Ninjas and Stay Tuned as he happily obliged. (We also saw Last of the Mohicans and Dracula that same year but I'm not trying to call attention to the dip in quality over the decades.) I'm watching these movies that I would've otherwise gone the rest of my life without seeing, but I'm doing it through this sorta distorted lens where I'm watching them through his eyes and making sure they hit all the marks that he's looking for; without any effort whatsoever, my normal pretentious film critic filter is almost entirely deactivated, which still allows me to be opinionated but in different ways. 


What's all this gripe I keep hearing about "Fan Service"? The first time I heard that phrase as a negative (or in any context at all) was in reference to Rogue One (which at that time was only the fifth STAR WARS movie to be largely predicated upon nostalgia); ironically enough that's one of the few movies where I felt the winks and nods were integrated into the story most organically. But my dispute here isn't necessarily in defense of Fan Service, but that it seems like a completely benign insult; as I write this on the brink of new Harry Potter and Lord of the Rings material being thrusted upon us, I've only ever been under the impression that the mere existence of any and all of these microwaved Intellectual Properties are, by definition, "Fan Service". I mean, of course every moment in all these remakes and sequels is esoteric and referential - it's their world, and we're paying to live in it. While watching these Super Mario movies I wasn't too preoccupied or even aware of stuff like pacing and structure and character development -- One, because they actually handle those things pretty okay, and Two because they don't seem to be that big of a concern to Elvis; as long as familiar characters and locations and sounds and objects keep appearing on the screen...? Pure Cinema. 


Conversely, there are plenty of childlike institutions that I still actively enjoy that he just can't seem to get into wholeheartedly. Every day after school he does his homework while my attention is split between helping him with Reading Comprehension and watching the 1987 Ninja Turtles cartoon. It's sorta become a running joke now, how Papa's "favorite show" is Ninja Turtles and how it's the only thing I'm interested in. I've only ever been able to compound these accusations by dragging him to see the original 1990 movie (as well as Secret of the Ooze) in the theater during their respective 35th anniversaries. Again, not forcing anything on him, I know he like Michelangelo - he's said as much, and I spotted an expression of mild glee on his face anytime Mikey did some of his antics. And I know he digs Super Shredder because how could anyone not? But in his mind the Turtles clearly belong to me; for my last birthday I asked him to draw me a picture that I could get tattooed on myself, and so now I have this...


His birthday will forever correspond with the end of the school year / beginning of Summer, so that also means it'll usually be at the same time as the release of some big movie. Despite the fact that they release these kindsa movies all year long now, they still find worthy titles for the season's kickoff. In 2025 we went to see Elio, and as much as we enjoyed it in the moment, it left no lasting impression on us whatsoever. A real shame - Pixar is typically top quality, and it's always refreshing to fall for a largely original movie, but in this framework, if you can't get any good toys or Halloween costumes out of it then something's missing. So this year is the big swing of Toy Story 5, sure to stimulate the nostalgia bone of children and grownups alike, as well as fuel the fire for the cynics who feel they shouldn't be making any more of these. At any rate, the timing guarantees a core memory in the making. Actually, he was very apprehensive at first - his Second Grade classmates have already christened Toy Story as "baby stuff". Fair enough - I was 12 when Part One came out and so I certainly waited for the privacy of Home Video. But I explained to him how much I loved it when I was practically a teenager and so it's definitely okay for big kids too. (I could've explained how I love it even as a grownup, but my credibility as a mature adult is obviously already blurred in his eyes.)


I'm not particularly sentimental about him "growing up so fast", mostly because we're sorta in the midst of what I consider to be the best years. I've wanted a child of my own ever since I was a child, and that's partly because I just wanted someone likeminded to hang out with, and I'd say he's just about reached the age where we can sort of causally enjoy the same things together without either of us having to pander to the other. There's still a noticeable gulf there: I'm able to genuinely appreciate some of his pursuits simply because of his infectious enthusiasm, while he still struggles to simply feign interest in some of my hobbies -- like watching feature length films. That's why it was a surprise that he holds The Movie Theater in such high regard; I don't know if it's his attention span or it's a generational thing, but my kid - my kid - is only partially interested in The Art of Motion Pictures. If the title and subject is rooted in a brand name that's familiar to him (cartoons, video games, sequels, etc.) then he'll perhaps allow his eyes to glance at the screen to then maybe determine its worth. But with everything else I'm like a hungry screenwriter tryna sell him on the most exciting elements of every movie. "It's got a guy who kills women so he can steal their skin and wear it over his own! And there's another guy who's so dangerous that they keep him in a glass box because he eats people!" That gets some mild interest, but I know in my sad heart that it'd just be way too talky/cerebral for him to sit through. Having said that, it's become apparent that Horror is the key to (moderate) captivation, even more than Action Adventure or Comedy. (He was barely able to watch the last half of American Werewolf in London because he was too busy "transforming into a werewolf" himself.) Even just the scarier/gorier moments from the Predator and Terminator movies got a ton of attention and praise, while the explosions and shootouts and chases did little to delight him. 


Morbid fascination, or a distaste for the tedium of Big Budget Blow-em-ups? Who knows? Who cares? If he's anything like I was it's probably a little of both. The biggest difference is that, unlike my own parents, I'm not constantly reinforcing the idea that all scary movies are "really fucking scary, so close your eyes here because you will be scared." Granted, refraining from that kinda rhetoric removes just about all the mystique surrounding this material that kept me so turned on throughout my youth, but I'm also here to guide him through the aisles of muck and blandness and make sure to show him what I consider to be the best. If he wants to branch out into the schlock he can spend his prepubescence flipping through stacks of Fangorias same as I did. In the meantime, he's given his most positive responses to The ThingThe Blob, Halloween IV, Weapons, Primate, the entirety of the Child's Play franchise (with heavy emphasis on Seed of Chucky), and oddly enough, Misery, which prompted him to spend the remainder of the day telling everyone "I'm your Number One Fan". 


I'm making it all seem grander than it really is -- with the exception of Chucky (and maybe Weapons), his mindset is entirely focused on his very "Second Grader in 2026" goods and services; unique to the setting, but also unique to him. He spends hours at a time playing LEGO STAR WARS on his touchscreen tablet. He dances to AC/DC and INXS on his Amazon Alexa. Over the past few months he's drifted away from the "bedtime story" routine, and now the last moments of the day are dedicated to watching YouTube videos - either about storm chasers, or comparing the sizes of stars in the observable universe. Even through the filter of the 21st Century it's all completely relatable, because while none of us are exactly the same as our kids, we were once, in fact, kids. He likes waterslides and hide 'n seek and chocolate bars and bubblegum. He likes nature and science and stuffed animals and being tickled. He hates long car rides and eating dinner and brushing his teeth and going to sleep. He's frightened of bees and bullies and nightmares and bellyaches. As we grow up we tend to quiet some of these stronger feelings -- but in favor of what? I ask that rhetorically but I don't actually know the answer; we're desensitized with experience, but I suppose a generalized apathy is also a defense mechanism against the shit we deal with in the grownup world. But whatever, this isn't about the ugliness of adulthood, nor is it about me pining for my own past - mostly because I don't really need to anymore (or as much anyway). 

I wouldn't say I live "vicariously" through Elvis's optimism and curiosity and overall lust for life, I'm just happy to be around it and I'll do anything I can to perpetuate it; it's infectious and I selfishly don't ever wanna poison the well. The old concept of "providing a better upbringing for your child than the one you received" is a tall order for me because my childhood home life was top-notch, so now whenever the circumstances fall short it's that much more devastating to me. But Elvis doesn't know that because he has nothing to compare it to; objectively his life has been one unbroken boulevard of green lights, so in some ways, he's actually had it better than me - thusly making him a better person. He's more outgoing than I was, more generous, more inquisitive, and especially way better looking (even if he does look exactly like SpongeBob). I won't attempt to call out any of the shortcomings of my own parents and just say that I've utilized and bestowed their best traits throughout this chapter of my life that is "parenting", which basically just boils down to a loving and safe environment. I had that. I did not have the ability to watch any episode of my favorite show at any time of the day or night. I did not have four video game devices with an extensive library of games for each. I did not have framed posters on my bedroom wall. I did not have my own YouTube channel. (Make sure to visit it and "like" and "subscribe", it's a huge deal to him when that happens.) Again, that's still not me being envious; I'll take VHS quality gold over 4K streaming manure any day. But with technology, same as trends and culture and history and the color of the sky and the taste of a soft drink and the smell of a rainstorm and the excitement of a carnival, it all feels new to me -  and it's amazing, because Elvis told me it was. 

- Paul

5.18.2026

8 Scary Plane Crashes

I've been meaning to share this list for a long time, but there keeps being "incidents" that make it insensitive. The truth is that there'll never be an entirely appropriate and unblemished stretch of time to celebrate aviation disasters, but that's sorta the point: I've never been in a plane crash, and Film and Television have all but guaranteed that I'll never allow myself to be in the position where I could be. It certainly looks like one of the least fun ways to die, or even live, and when that's conveyed through the screen in various ways over the years, I think it's worth itemizing. 

- Paul


LOST

In describing the show, "plane crash" appears in the first sentence (and then probably never mentioned again). At the time, it boasted the most expensive TV pilot of all time (largely due to its airliner wreckage) though throughout the series we get several different accounts of this crash, and each one is intense and harrowing. 


Alive

If these were ranked as Scariest or Most Graphic, this is always number one. I experienced this in a movie theater when I was 9 years old and it definitely made me uneasy about air travel. Eventually it became an HBO Flavor of the Month and I can certainly attest that repetition never dulled my fears. 


Fight Club

This midair collision made an appearance in the movie's very short (and very brilliant) Theatrical Teaser (which was just a dizzying assemblage of the more surreal moments from the film). I love that trailer, probably more than the movie. In fact they shoulda rolled credits right after this scene, and it'd probably crack my Top 10 Films list. 


Catch-22

McWatt kamikazes his plane directly into Hungry Joe, chopping him in half and leaving only a weary pair of legs. This is before he slams the plane into the side of a cliff. It's all very dark and gruesome and effective partly because, like all the wizardry in this movie, it's all practical effects/trick photography. Still - poor Hungry Joe. 


STAR WARS Episode VIII: The Last Jedi

You could argue that it's not a literal "plane" crash but I don't have time for your bitching -- it's an aircraft collision, which is technically the basis of most Outer Space Science Fiction Action (i.e. STAR WARS). I've seen enough nameless pilots crash kooky spaceships into miniaturized plastic surfaces to fully minimize the spectacle, but this movie answered the question that was always in the back of my mind - "What would it look like to travel at light speed into something?"


Cast Away

For the most part it feels a little tacky and cartoonish -- Zemeckis's lust for digital effects would be his undoing, but his talents as an old fashioned Film Director are the saving graces of this scene. Moments before the jarring malfunction, Tom tends to a bandaid on his finger, drawing our attention into something small and quiet, and by the time it seems obviously ominous, it's too late. 


World War Z

Dude, fuck "snakes on plane", try fending off modern day maniac zombies in mid air with nowhere to go - it's not like you can board up the windows between Business and Economy. It's truly great suspense when tossing a live grenade down the aisle of a commercial airliner is actually the safest course of action. 


The Right Stuff

We don't actually see the moment of impact for the totally rad looking Lockheed NF-104A, but its high altitude engine failure and frenetic tailspin back down to Earth is gut wrenching enough. Still not the scariest part though: Chuck Yeager ejects from the plane still amidst the clouds and plummets to the ground, unable to pull his chute because his head's on fire. Is that a man? You damn right it is.

5.15.2026

2001: Drops of Jupiter and Beyond the Infinite


Not since 1984 had there been so much anticipation and speculation about the state of humanity with the arrival of a particular year. Sure there was some panic surrounding the Y2K changeover, but despite Prince's predictions, the party seemed to last -- all the way until 2001. Then it stopped. 


It was a sorta transitional year for me. I graduated High School in May (and yes I was excited that my "graduating class" would forever be the title of a Kubrick movie), but really it just felt like the end of any school year, because after "Summer Vacation" I began College. Though there was a noticeable perk: for most of my life the school year began at the end of August, which I'd always hated because it tainted the entire month, but the college year was to begin on Monday, September 10, and that extra week or so made the transition back into the grind somewhat easier. I say "somewhat" because despite now obtaining an education that I was paying for, I immediately found it to be just more of the same pencils and books and teachers' dirty looks that I'd dealt with for 12+ years; even by the second day I was already fatigued by the routine.

On the morning of Tuesday the 11th my first and only class of the day was at 9:30 am - Sociology, which sounded so collegiate and mature (this is the real facade of all higher education). It was a warm, beautiful, late Summer morning, and The In-Laws with Peter Falk and Alan Arkin had just started on one of the movie channels, and I was in no mood to leave the house to catch the city bus to Fitchburg to learn about Karl Marx or some shit. But I went, on the long walk to the bus stop, and then the long walk from the bus to the campus to find my classroom - on the second floor of a very old building named after some guy. I sat by the big open window overlooking the "quad" as it were, feeling very much like Oswald. 9:30 came and went and no Sociology professor showed up. After about 10 minutes one of the other students yelled out the window to someone they knew, asking "Do you have class today?" to which the person outside replied, "Naw, classes are canceled I think. A bomb went off at the World Trade Center or something." And so began my long trek of walking and public transportation back home. Still, I was delighted to have the rest of this nice day off as a result of some supposed incident that, in the moment, didn't seem to actually have any effect on anybody. 


Like anyone else who was around at the time, I remember that day very well. And, such as the case with all other global events and news headlines, all my memories of any specific era are mostly tied to Pop Culture, and so whatever's going on with me, or the world, gets filtered through those flavors of the month. I remember the star studded TV specials and concert events, featuring Tom Petty singing "I Won't Back Down" and Billy Joel singing "New York State of Mind" for a crowd of energized firefighters. I remember the big weird discussion of whether or not the Towers should be digitally removed from all Film and Television. I remember songs like "Jump" by Van Halen and "I'm on Fire" by Bruce Springsteen being banned from the radio. I was getting my news from late night talk shows and Saturday Night Live - a trend that's carried over into modern times, as the actual News has yet to regain whatever even-tempered sanity they lost after September 11, 2001. In other words, American Culture changed -- probably in some ways that we'll never fully realize. 


It's hard to remember that there was a whole year of other stuff surrounding that one day - much of it unpolluted by the attack and its aftermath. I seem to recall an all out onslaught of Destiny's Child that lasted for about a month, but that month was like Beatlemania. I also remember a lotta Jennifer Lopez (or "JLo" as we began calling her), a lotta Nelly, a lotta Shaggy, a lotta Missy, and that damn Dido song that Eminem made famous the year before. And then, there was the juggernaut that was "Lady Marmalade", which came at me twice as hard because every girl around me had the whole ass Moulin Rouge! soundtrack in their car, and because I didn't yet drive, I was singing Elton John via Obi-Wan Kenobi during every trip to Circuit City and Pizza Hut. 


God, I still remember the hype leading up to the release of Moulin Rouge! - some early article was already praising it as one of the greatest films ever made. And I was prepared to believe that, and approached it with that anticipation. Incredible: the oppressive volume of cynicism that occupies and consumes my soul at my current age has taken the place of what was once just as much naivety. I recollect some other early preview criticisms granting similar praise to Lord of the Rings, and I certainly won't get into my stunned disappointments with that again.


I'd probably say I was at the peak of my movie lust around this time (or plateau anyway) and I still look back on this period (ca. 2000-2002) as the brief era of Cinema that just about soured me on Cinema (or I should say Contemporary Cinema). I've spent years trying to articulate it (to others but mostly to myself), but it's little projects like this that help me better understand the past, and also myself, and what had me hella heated over movies at the beginning of the 21st Century. And after some moderate research, I've come to the conclusion that... *checks notes* ...the movies sucked. 


As circumstance would have it, I was buying tons of DVDs of older, better films (because, once again, this was 2001), while at the same time I was going to the movie theater more frequently than maybe any other time in my life, before or since, and I think maybe the contrast between stuff like One Flew Over the Cuckoo's Nest and K-PAX felt that much more defined. I mean, I'll have to assume it was, because that's just the thing: while running down the list of films released in '01, I saw many of them, maybe most of them, and I saw them in a theater setting. And I Hardly Remember Any Of Them. I mean I remember that I did see them, but in terms of their content (or in some cases even a single frame) they've entirely escaped me. I find this notable because my attention span (and my memory) is at its best when it comes to movies - especially when you mix in the big, bright, loud experience of the theater, so for me to extinguish all details from entire features (plural) only leads me to believe that the output was, for the most part, lackluster at best. I'd like to extend the benefit of the doubt and say maybe it was me and I was just in a weird headspace for those few years which made it impossible for me to retain the plot of Zoolander, but really that's just me being diplomatic, because after much consideration I found that I was only able to compile a measly Top 11 (get it?). "Measly" in length, yes, but strong in width; these are eleven movies that I not only remember from 2001 but legitimately liked, guaranteeing no filler/all killer. So maybe the more optimistic approach would be to say that 2001 had a list of great movies. Maybe that was the point of this exercise: to get rid of this godawful feeling. 

- Paul



1. The Royal Tenenbaums
I'd thought Bottle Rocket was cute, and Rushmore was even better. This movie took the established tone that we were getting used to and blew it wide open - almost to the point of self-deprecation (but still, for laughs). I'm always applauding Gene Hackman here, but really that's so easy and obvious; frankly everyone is about as good as they've ever been, but if anyone else came close to stealing the show, I'd say it was Owen Wilson. Add that to his screenwriting credit and I'd call this his overall greatest achievement by far. 


2. The Pledge
After the 90s I think we all had Thriller fatigue, which is why this movie a.) went largely unnoticed, and b.) was and still is so energizing. It employs the same grim mood and tense set pieces as the standard Cat and Mouse Actioner, but it never cuts corners in favor of some big gun battle or goofy surprise villain reveal. Actually there is no surprise - it just lingers and stays with you.


3. Ghost World
When it came out, I too was graduating High School, much with the same snarky attitude that everyone was really stupid except for me and my friend. But also very much seeing myself in the Seymour character (which I suppose is the point of the character parallels). Basically I couldn't relate to 99% of the Teen Comedies that had come out in the decade leading up to this, so it was comforting to have some art that spoke to my specific identity. 


4. The Man Who Wasn't There  
It was just the next entry in an otherwise unblemished filmography, but that didn't prevent me from appreciating it any less. Like all my favorite artists, they once again attempted a new style and genre while still maintaining their unmistakable trademarks. Seriously their best looking movie, making it one of the best of all time.


5. Mulholland Drive
This hit me right at the right time -- but somehow that seems to be true for everyone; even the people who weren't into "this kinda thing" embraced it as the phantasmagoric odyssey that it is. It's not my favorite David Lynch movie (not even Top 5 actually) but I'd probably name it as his funniest, which probably has a lot to do with why it's so accessible (despite the weirdness). 


6. Donnie Darko
Another movie that hit me at the right time - but that's only because I was already in a Tears For Fears phase. And another example of how a bit of comedy can disarm an audience just enough to slip in some of that mind-bending ambiguity. Not knowing anything about it, it was a surprise from end to end, which makes sense as there was no logical way to market this thing. 


7. Heist
Initially I found this to be really hokey and predictable, with dialogue that sounded more like a David Mamet parody than actual David Mamet. But with repeat viewings via Home Video it started to become a Comfort Movie as I began to memorize the very snappy exchanges. Also, it became apparent over time that having a cast that's this competent is the only reason it works at all.


8. In the Bedroom
Only now do I stand back and realize how much passionate filmmaking there was this year; people with burning desires to tell these very specific stories. This movie crackles with both the excitement and the jitters of a first feature, and frankly could've been a lot more bland with some "experienced" filmmaker at the reigns. 


9. Training Day
There's this whole subgenre of 'Likable Lead Actors as Menacing Villains' that isn't explored often enough, and this is such a beautiful and delicious example of it. (I don't count CGI Supervillains as part of this.) Let's not disregard Ethan Hawke peeking out from behind the eclipse of Denzel, and also Cliff Curtis giving us the scariest scene of the year. 


10. Ocean's 11
Living, breathing, wisecracking proof that Cinema can be "fun" without being "really fucking stupid". Granted, I never found it as fun as it thinks it is, but it's certainly a joyous occasion. And after 5 quality pictures in only 4 years, Soderbergh almost singlehandedly gave me hope for the future of Film. 


11. Monsters Inc.
At the time, my cynical teen temperament would've forced me to choose Shrek as the best animated feature of the year. Having seen them both again more recently the choice is clear: no amount of meta satire could compete with the ingenuity and purity of Pixar in its heyday. In fact, Pixar can't compete with Pixar in its heyday; this is easily their sweetest movie that doesn't ever resort to any kind of manipulation.

5.12.2026

Winkling

The little winkling came to be
And it was small and bright
It shone quite softly through the storm
Lit by its own light

It ran and flew and zoomed and hid
So that it could not be found
It's not that it was shy or scared
It just simply could not be bound

It yearned to be free so there it went
Alone into the wind and rain
It could not be bothered by the squall
Because it felt no pain

Before the winkling came to be
All it did was hurt
It suffered and cried and gave it back
And buried its anger 'neath the dirt

It had not become the winkling yet
Its agony was too great
It lived its life as a wonkster
And all it felt was hate

It had not yet learned to fly
It was tethered to the ground
But when it finally sprang its wings
It soared without a sound

Up and away and off it went
Praying never to be caught
From the earth to the sky to the clouds to the moon
From a square to a circle to a dot

- P

5.09.2026

10 Magnificent Movie Masks

Ah yes, the mask: a symbol of the Dramatic Arts, a valuable tool for the actor, a disguise to shield your identity from your victims/loved ones/law enforcement/Sally Field. In modern culture it feels most strongly associated to superheroes and weapon-wielding maniacs -- I got some of those here, but in choosing my absolute favorites masks it's made clear that everybody's got something to hide (up to and including who's really The Walrus). 

- Paul


Eyes Wide Shut

Just gonna go ahead and get this one right outta the way. I could do a book on these (I'm sure there are already several) and all the different styles and names they're given (The Picasso, The Jolly, The Plague Doctor, even The "Ryan O'Neal") but the one that stands out contextually is The Bauta, who nods at Bill and then later it's implied that he tattles on him. I have to go over there and show my face


3 Ninjas

We bring this movie up a lot on this site, usually to dump on it - even as a kid I found it embarrassing and rarely had a desire to revisit it. But what did stay with me, and still does, are these Oni masks worn by the 3 Ninjas. Like Eyes Wide Shut I think I was most attracted to the variety and how they all looked different. (I'd point out how each mask is best suited to each character's personality but you know I’d be making that up.) 


Dick Tracy

I'll always own up to my folly that I originally thought that The Blank's face was just his(?) face and not a mask; the movie is populated by gangsters with cartoonish facial deformities, so why not a character without any features at all? It was admittedly a letdown when it was revealed it was a mask, but then my life just became about wanting that damn mask (or at least the damn action figure). 


Nightbreed

Out of all the masked killers in Horror Cinema, leave it to Clive Barker to create the creepiest one, and leave it to David Cronenberg to wear it. It's funny that 80% of this movie is over the top far out fantasy, but the 20% Slasher portion with Dr. Decker is unsettlingly realistic. Dream Halloween costume (after The Blank)!


Demons

Clearly just for decorative purposes, and rightly so; this mask (which implicitly belonged to Nostradamus) causes a severe allergic reaction when it comes in contact with the bloodstream. So be careful because that shit is pointy!


Halloween III: Season of the Witch

Another choice that's as plain as the nose on your face, but today I'm here to pick a favorite of the three Silver Shamrock Halloween Masks. Honestly, each one is only as good as the costume that goes with it -- I've been a longtime fan of Dr. Challis's Skull/plaid/Members Only Jacket ensemble, but as my tastes have matured, the skateboarding ballerina with the Pumpkin mask goes too hard to ignore. 


Magical Mystery Tour

There were obviously no limits as to how many goofy costumes Paul could talk his bandmates into wearing. However, as weird as this choice was, they managed to make it weirder with various morbid and literary subtexts. (The Walrus is, in fact, not a symbol of death in any culture's folklore.) 


Teenage Mutant Ninja Turtles

If we're gonna say Shredder wears a "helmet" (I would) then the "coolest mask" falls on Casey Jones. Looking nothing at all like the most famous Cinematic Hockey Mask of that moment, and only vaguely resembling its depiction in the comics, it sorta looks like The Punisher logo (which was once intimidating before it became misappropriated by a decidedly unintimidating demographic).


Point Break

Every once in a while I'm reminded that they remade this movie in the past 10 years or so. I'll never see it, but learning that the Ex Presidents masks don't make an appearance is probably what helps me disregard its existence entirely. There was nothing that wasn't cool about the 1991 original, but these masks made the whole thing next level. 


Mrs. Doubtfire

Never mind that Robin Williams was probably my favorite actor/comedian/person in 1993, the most exciting thing in this movie for me (and for every other kid who was obsessed with makeup effects) was the whole latex mask business. The fact that they took the time to share the step by step makeup chair process with the audience made this otherwise not-believable movie that much more believable. 


5.06.2026

NAME THAT MOVIE!

Hope the weather's good wherever you are, and if you're celebrating something hopefully there's fun food. If not, here's a cause to clap: the last round felt very successful and actively participatory; not a total Betty but a vast improvement. 

Seriously though, thanks for showing up and letting us know you're out there (and not a bunch of bots); we don't even bribe you with prizes anymore, which is actually kinda nice now that it feels less like a commercial relationship - we've all experienced the entire Pretty Woman arc together! Let's face it, we all want the fairytale. 




EASY





FAIR





DIFFICULT